Works

Editor: Michael Pauser
Origin / first performance: Paris 1816
Instrumentation: S Solo | Eng.-Hn. | Vl. I, II | Va. | Vc. | Kb.
Key / Movements: F major, Larghetto (one movement)
Duration: 5:00
= first modern critical edition
Examples: Click here
First performance of that edition: 2017, M. Pauser (Dir.), A. Chudak (S), Vogtland Philharmonie
Recordings of that edition: –

Editor: Michael Pauser
Origin / first performance: Paris 1805, first performed 1810
Instrumentation: 1 Fl. | 2 Ob. | 2 Klar. | 2 Fg. | 3 Hn. | 2 Trp. | 3 Pos. | STT Solo | Vl. I, II | Va. I, II | Vc. I, II, III, IV | Kb.
Key / Movements: I. c minor — II. Trio, C major
Duration: 19:00
= first modern critical edition
Examples: Click here
First performance of that edition: 2017, M. Grünert (Dir.), A. Tsujii (S), M. Lattke (T), P. Kroeger (T), Philharmonisches Orchester Altenburg-Gera
Recordings of that edition: Luigi Cherubini. Requiem in C minor (Rondeau ROP6142)

Editor: Michael Pauser
Origin / first performance: c. 1774–1778
Instrumentation: 2 Hn. | 2 Trp. | SATB Solo | SATB Solo | SATB | Vl. I, II | Va. | B. c.
Key / Movements: I. Cum invocarem – II. Irascimini – III. Sacrificate sacrificium – IV. Signatum est – V. A fructu frumenti – VI. In pace in idipsum – VII. Quoniam tu, Domine – VIII. Gloria Patri
Duration: ca. 18–20 minutes
= first modern critical edition
Examples: Click here
First performance of that edition: 2019, M. Grünert (Dir.), S. Rubens (S), B. Schwarz (A), T. Hunger (T), T. Berndt (B), ensemble frauenkirche dresen, Kammerchor der Frauenkirche Dresden (= zeitgenössische Erstaufführung)
Recordings of that edition: Rondeau Production 2019

Editor: X
Origin / first performance: X
Instrumentation: X
Key / Movements: X
Duration: X
= first modern critical edition
Examples: Click here
First performance of that edition: X
Recordings of that edition: X

Editor: X
Origin / first performance: X
Instrumentation: X
Key / Movements: X
Duration: X
= first modern critical edition
Examples: Click here
First performance of that edition: X
Recordings of that edition: X

Editor: X
Origin / first performance: X
Instrumentation: X
Key / Movements: X
Duration: X
= first modern critical edition
Examples: Click here
First performance of that edition: X
Recordings of that edition: X

Editor: X
Origin / first performance: X
Instrumentation: X
Key / Movements: X
Duration: X
= first modern critical edition
Examples: Click here
First performance of that edition: X
Recordings of that edition: X

Editor: X
Origin / first performance: X
Instrumentation: X
Key / Movements: X
Duration: X
= first modern critical edition
Examples: Click here
First performance of that edition: X
Recordings of that edition: X

Editor: X
Origin / first performance: X
Instrumentation: X
Key / Movements: X
Duration: X
= first modern critical edition
Examples: Click here
First performance of that edition: X
Recordings of that edition: X

Editor: X
Origin / first performance: X
Instrumentation: X
Key / Movements: X
Duration: X
= first modern critical edition
Examples: Click here
First performance of that edition: X
Recordings of that edition: X

Editor: X
Origin / first performance: X
Instrumentation: X
Key / Movements: X
Duration: X
= first modern critical edition
Examples: Click here
First performance of that edition: X
Recordings of that edition: X